Val Bisoglio's Filmography on TV

Saturday Night Fever (1977)

Tony Manero is a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.

Saturday Night Fever (1977)

Tony Manero is a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.

La febbre del sabato sera (1977)

Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.

La sera del sabato (1977)

Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.

The Hindenburg (1975)

In this highly speculative historical thriller, Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, is assigned to the great Hindenburg airship as its chief of security. As he races against the clock to uncover a possible saboteur aboard the doomed zeppelin he finds that any of the passengers and crew could be the culprit.

Serpico (1973)

Frank Serpico is an idealistic New York City cop who refuses to take bribes, unlike the rest of the force. His actions get Frank shunned by the other officers, and often placed in dangerous situations by his partners. When his superiors ignore Frank's accusations of corruption, he decides to go public with the allegations. Although this causes the Knapp Commission to investigate his claims, Frank has also placed a target on himself.

Kojak - The Marcus-Nelson Murders (1973)

A homicide detective begins to suspect that the black teenager accused of murdering two white girls is being framed by his fellow detectives.