Ursula Howells's Filmography on TV

Torture Garden (1967)

Five people visit a fairground sideshow run by the sinister Dr. Diabolo. Having shown them a handful of haunted-house-style attractions, he promises them a genuinely scary experience if they will pay extra.

Dr Terror's House of Horror (1965)

Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.

Dr Terror's House of Horrors (1965)

Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.

House of Horrors (1965)

Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.

The Sicilians (1963)

An aide at the American Embassy in London finds himself involved with both Scotland Yard and the French police over the kidnapping of the son of a Mafia boss who has spilled the beans back in the States.

Account Rendered (1957)

Police find that everyone had a motive for the murder of a wealthy woman.

The Long Arm (1956)

Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.

Keep It Clean (1956)

A man invents a new cleaning machine. His brother in law offers to help him promote it and they get help from the Purity League.

The Constant Husband (1955)

Charles Hathaway wakes up in West Wales with no recollection of who he is or how he got there. With the help of a Cardiff specialist he traces his life back to his gorgeous wife and their large London house, so all seems well with the world. But more detective work starts to uncover an alarming chain of further stunning wives and a way of going on that the new Charles finds pretty unacceptable.

The Gilded Cage (1955)

Steve and Harry become involved in an art theft. Harry is framed by the crooks, and arrested by the police. Steve has to prove his brother's innocence.