Tigmanshu Dhulia's Filmography on TV

Short in stature but big on love, a bachelor meets two very different women who broaden his horizons and help him find purpose in life.

After meeting the chief of police's pretty daughter, a gangster kidnaps the girl. During the journey they fall in love and the gangster decides to set her free.

A story based on real-life human-rights and criminal lawyer, Shahid Azmi, who was slain while defending the wrongly accused by the law in terrorist activities.

In 1970s India, Sardar Khan vows to take revenge on the man who killed his father decades earlier.

Shahid Khan is exiled after impersonating the legendary Sultana Daku in order to rob British trains. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur.

Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.