Ron Randell Poster

From Wikipedia, the free encyclopedia Ronald Egan "Ron" Randell (8 October 1918 – 11 June 2005) was an Australian film and stage actor who also worked in Great Britain and the United States.
Gender: Male
Born On: 8-Oct-1918
Last Info Sync: 4/29/2021 7:40:00 AM

Ron Randell's Filmography on TV

List of programs starring Ron Randell on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 26, 2024 8:49 AM

The Longest Day (1962)

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

King of Kings (1961)

Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.

Quincannon, Frontier Scout (1956)

A young woman hires a frontier scout to help her discover if her brother died in an Indian attack on a remote fort.

Desert Sands (1955)

The French Foreign Legion battles rebellious Arabs in North Africa.

Saber of London (1954)

Mark Saber refers to a half-hour 1950s detective television series that took different forms and titles during its run. Tom Conway portrayed Mark Saber as a plainclothes English detective working with the Homicide Division of the N.Y.P.D. in Mystery Theater which aired on ABC from October 1951 to June 1954. Donald Gray portrayed Mark Saber as a one-armed private detective based in London. In The Vise which aired on ABC from September 1955 to June 1957. Donald Gray also portrayed Mark Saber in Sa

Kiss Me Kate (1953)

Fred and Lilli are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.

The Girl On The Pier (1953)

Sometimes listed as a horror film, the British Girl on the Pier is a Spartan little melodrama starring the alluring Veronica Hurst as the title character. The wife of wax museum curator Campbell Singer, Hurst carries on with Singer's partner Ron Randell. Killing Randell, the cuckolded husband tries to hide the body among his waxworks. The police eventually catch on when Singer proves too clever for his own good. Girl on the Pier doesn't pretend to be a classic; on its own terms, it's an agreeabl

L' avventuriero della Louisiana (1953)

Mark Fallon, with partner Kansas John Polly, tries to introduce honest gambling on the riverboats. His first success makes enemies of the crooked gamblers and of fair Angelique Dureau, whose necklace he won. Later in New Orleans, Mark befriends Angelique's father, but she still affects to despise him as his gambling career brings him wealth. Duelling, tragedy, and romantic complications follow.

The Mississippi Gambler (1953)

Mark Fallon, with partner Kansas John Polly, tries to introduce honest gambling on the riverboats. His first success makes enemies of the crooked gamblers and of fair Angelique Dureau, whose necklace he won. Later in New Orleans, Mark befriends Angelique's father, but she still affects to despise him as his gambling career brings him wealth. Duelling, tragedy, and romantic complications follow.

Girl On The Pier (1953)

Sometimes listed as a horror film, the British Girl on the Pier is a Spartan little melodrama starring the alluring Veronica Hurst as the title character. The wife of wax museum curator Campbell Singer, Hurst carries on with Singer's partner Ron Randell. Killing Randell, the cuckolded husband tries to hide the body among his waxworks. The police eventually catch on when Singer proves too clever for his own good. Girl on the Pier doesn't pretend to be a classic; on its own terms, it's an agreeabl

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