Robert Brooks Turner's Filmography on TV

Baron Frankenstein, working under the protective pseudonym Dr. Victor Stein, together with his assistant Dr. Kleve, transplants a dwarf's brain into another body and unleashes a deranged being.

Joe is a young boy who lives with his mother, Joanna, in working-class London. The two reside above the tailor shop of Mr. Kandinsky, who likes to tell Joe stories. When Kandinsky informs Joe that a unicorn can grant wishes, the hopeful lad ends up buying a baby goat with one tiny horn, believing it to be a real unicorn. Undaunted by his rough surroundings, Joe sets about to prove that wishes can come true.

Henry Hobson owns and tyrannically runs a successful Victorian boot maker’s shop in Salford, England. A stingy widower with a weakness for overindulging in the local Moonraker Public House, he exploits his three daughters as cheap labour. When he declares that there will be ‘no marriages’ to avoid the expense of marriage settlements at £500 each, his eldest daughter Maggie rebels.

A divorced couple, living hand-to-mouth in Stockholm, must first pay their hotel bill before returning to England. To raise the necessary funds, they must pretend that they're still married.

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

A newly married WREN, presumed drowned when her ship is torpedoed, spends three years on a tropical island before returning to England to find her husband remarried with a baby son.

A socialist inherits the ownership of a major firm and begins wrestling with his beliefs.

Morale-boosting story released in the middle of World War II. A journalist uncovers a peace organisation at the centre of disreputable dealings.

Before the war, a Fleet Air Arm pilot is dismissed for causing the death of a colleague. Working for a small Greek airline when the Germans invade Greece, he gets a chance to redeem himself and rejoin his old unit on a British carrier. This is regarded the last of the conventional, rather stiff 1930th style Ealing war films, to be succeeded by much more realism and better storytelling.

A barber (Ralph Richardson) gives in to temptation and steals some money, leading to blackmail and murder.