Richard Wilson's Filmography on TV

Garden gnomes, Gnomeo & Juliet, recruit renown detective, Sherlock Gnomes, to investigate the mysterious disappearance of other garden ornaments.

A version of Shakespeare's play, set in the world of warring indoor and outdoor gnomes. Garden gnomes Gnomeo and Juliet have as many obstacles to overcome as their quasi namesakes when they are caught

The shy son of an aging comedienne tries to find a balance between his demanding home life, his new girlfriend, and his mother's second chance at fame.

Christopher Columbus believes he can find an alternative route to the far East and persuades the King and Queen of Spain to finance his expedition...

Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.

Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John 'Joe' Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as 'What the Butler Saw' and 'Loot', Halliwell begins

The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny's mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).

Girls growing up in 1960-61 London develop a passion for Tottenham Hotspur Football Club, the first British team in the 20th century to win the English league and FA Cup "double". Twenty years later, one of the girls tracks down players of the '60-'61 Spurs for a documentary.

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.