Richard Belzer Poster

From Wikipedia, the free encyclopedia. Richard Jay Belzer (born August 4, 1944) is an American stand-up comedian, author,  and actor. He is perhaps best known for his role as John Munch, which he has portrayed as a regular cast member on the NBC police drama series Homicide: Life on the Street and Law & Order: Special Victims Unit.     Description above from the Wikipedia article Richard Belzer, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Gender: Male
Born On: 4-Aug-1944
Last Info Sync: 9/13/2018 11:54:00 AM

Richard Belzer's Filmography on TV

List of programs starring Richard Belzer on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 22, 2024 11:38 AM

Species II (1998)

Having just returned from a mission to Mars, Commander Ross isn't exactly himself. He's slowly becoming a terrifying alien entity with one goal -- to procreate with human women! When countless women suffer gruesome deaths after bearing half-alien offspring, scientist Laura Baker and hired assassin Press Lennox use Eve, a more tempered alien clone, to find Ross and his brood. Before long Eve escapes to mate with Ross.

The Puppet Masters (1994)

The Earth is invaded by alien parasites—aka 'slugs'—that ride on people's backs and control their minds.

Hart To Hart: Crimes Of The Hart (1994)

In their very last adventure, Jonathan and Jennifer Hart travel to The Big Apple, where a play she wrote in college is being produced on Broadway. But there's sabotage going on, and when a stagehand is murdered, everyone's a suspect - even Jonathan!

Lo sbirro, il boss e la bionda (1993)

Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.

Mad Dog and Glory (1993)

Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.

Deadly Nightshade (1992)

The Scarlet Speedster teams up with the city's previous superhero, The Nightshade, in two adventures.

Il falo' delle vanita' (1990)

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

The Big Picture (1989)

Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.

Fletch Lives (1989)

Fletch is a fish out of water in small-town Louisiana, where he's checking out a tumbledown mansion he's inherited. When a woman he flirts with turns up dead, he becomes a suspect and must find the killer and clear his name.

Scarface (1983)

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

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