Ravindra Kapoor's Filmography on TV

Qayamat Se Qayamat Tak (1988)

Both Dhanraj Singh and Randhir Singh are two bitter and old time enemies. They faced a disastrous situation when their children, Raj and Rashmi fall deeply in love. They openly declare their hatred for one another and will do anything in their power, even kill - but they will not accept their children's choice. But Raj and Rashmi are dedicated to their love and are not willing to accept the fact that their fathers are mutual enemies.

Zabardast (1985)

A family man, Ratan, decides to commit a crime for Balram Singh, but keeps the bounty for himself. Singh sets his house on fire, and believing his family to be dead, Ratan goes on the run.

The Burning Train (1980)

The plot revolves around a train named Super Express that catches fire on its inaugural run from New Delhi to Mumbai.

Hum Kisise Kum Naheen (1977)

Beautiful young heiress, Kajal, is the only daughter of wealthy industrialist Kishorilal. She has fond memories of her childhood male friend, Sanjay, and would like to meet him now, and get married to

Dost (1974)

Maanav befriends Gopichand, a thief, and tries to reinvent his life by getting him a job in a good company. One day, Maanav disappears from his life and returns when his friend is in trouble again.

Yaadon Ki Baaraat (1973)

Three brothers are separated after their parents are murdered by a gangster. Years later, they find their paths intertwined around a family song.

Caravan (1971)

Sunita is a young woman who ends up married to the wrong man, Rajan. Thinking that he has conspired with his girlfriend, Monica to murder her, she runs away to find an old friend of her father's in Bangalore who may be able to help. Having no money, the only way she can get there is to join a traveling caravan. The crew of the caravan is Mohan, Mohan's sidekick Johnny, and Mohan's younger brother Monto. Along the way, the caravan crosses paths with a group of gypsies that includes some causal yo

Diwana (1967)

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.