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Pupella Maggio born Giustina Maggio (24 April 1910 - 8 December 1999) was an Italian film actress.
Description above from the Wikipedia article Pupella Maggio, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Gender: Female
Born On: 24-Apr-1910
Last Info Sync: 9/13/2018 6:58:00 PM
Pupella Maggio's Filmography on TV
List of programs starring Pupella Maggio on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 23, 2024 5:12 AM
Cinema (1988)
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Nuovo Cinema Paradiso (1988)
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
I giorni del commissario ambrosio (1988)
A few days before Inspector Ambrosio's holiday, a bank robbery takes place opposite his house.
Gennareniello (1978)
Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.
Amarcord (1973)
In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.
Prof. Dott. Guido Tersilli, primario della clinica Villa Celeste (1969)
Story of an ambitious young doctor through unethical means intend to make a quick career. Now is primary in a luxury clinic where administers the sick with the same cynicism of his young years.
Il medico della mutua (1968)
Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.
The Bible (1966)
Extravagant production of the first part of the book of Genesis. Covers Adam and Eve, Noah and the Flood and Abraham and Isaac.
Le quattro giornate di Napoli (1962)
The four days of Naples was not a revolution. They had no leaders, no preparations of any kind. The revolt was born and flared up in a matter of hours. The whole population of Naples took part in it, but they all did so without consulting the others. Driven by a kind of necessity, the Neapolitans took up their rifles, armed themselves with stones, household objects, and bottles of petrol, and fought on their stretch of road, anonymous and silent. Once the battle was over, everyone returned to th