Michel Piccoli's Filmography on TV

"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

Marco Ferreri: Dangerous But Necessary is a trip through the auteur's singular cosmos - at once supernatural and earthbound. He dropped out of his studies to become a veterinarian, choosing instead to concern himself principally with the human animal, in our corporeal and yearning essence.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.

A tolerant veterinarian turns the other cheek when annoyed but changes his nature when he falls in love.

Tom Berenger stars in this Italian film featuring legendary Italian star Marcello Mastroianni. Berenger is Matthew, an American engineer who falls in love with Nina (Eleanora Giorgi), a woman who holds many disturbing secrets.

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conc

Raphael, a restaurant mandolin player with a limp, a father to support, and a lot of debt, accepts a job offered by his friend, Giardino, to play a serenade under an apartment window at the behest of a mysterious blonde. As he’s playing, a man high up on a balcony is pushed to his death. Raffaele is compelled to conduct his own investigation and becomes embroiled in a mystery involving a macabre secret...

"René la Canne" was the second collaboration between Francis Girod and Ennio Morricone, coming after "Le Trio Infernal" (1974) and before "La Banquière" (1980). His film is an adaptation of a story by Roger Borniche about the gangster René Girier and relates the fantastic adventures of a flamboyant mobster (René/Gérard Depardieu) and a maverick police inspector (Fernand la Sournoise/Michel Piccoli), through the 1940s.