Mario Granato's Filmography on TV

Gallo cedrone (1998)

The life and times of Armando Feroci, a fortyish year old, who's been everything, a divorced husband, a careless father, an unreliable brother. The story is told in flashback by his friends while Armando has been mysteriously kidnapped in an Arab country by an integralist group and condemned to death.

Uomini e no (1980)

In Milan, in the winter of 1944, the ruthless Cane Nero leads the fascists against the partisans. Enne 2, one of the leading figures of the C.N.L., meets Berta, whom he loved three years ago, but Berta refuses to leave her husband for him. Enne 2 is pursued by the fascists of Cane Nero and, instead of running away to Turin, waits for Berta to rejoin him

Il commissario di ferro (1978)

Pretty solid Merli/Massi collaboration. The plot is a simple one that centers on various kidnapping episodes. With each scenario, the stakes increase for Merli's character and he must race against the clock to resolve each standoff.

Corleone (1978)

Two friends grow up together in the Sicily of the '50s. Two different destiny, two different way of life. Could their friendship survive to the mafia shadow?

Poliziotto senza paura (1978)

A low-rent private investigator and former cop is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence.

Il prefetto di ferro (1977)

Sicily, Fascist Italy, 1925. Dictator Benito Mussolini appoints Cesare Mori, a man as tough as he is honest, as the new police prefect of Palermo and entrusts him with the arduous task of putting an end to the Mafia, a sinister criminal organization that has sown terror on the island for centuries.

Napoli spara! (1977)

Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a "poliziottesco" film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).

Sturmtruppen (1976)

A handful of recruits prepares for a war that nobody knows about the purpose or the motive. The field commander is a general who plays with a Marx puppet and lives in a luxurious palace that looks like a cabin from the outside. His orderlies are a captain who lives in Arabic dress in a curtain and a sergeant in training who does not shine for intelligence. Continuing training between various and grotesque accidents until the order arrives for the front. And then?