Maria Zanoli's Filmography on TV

Le notti bianche (1957)

A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.

Fascicolo nero (1955)

In the 1950s, in a small provincial town, a young inexperienced judge clashes with an influential notable during an investigation into a suspicious death. His perseverance to get to the truth will cause a huge scandal.

The Barefoot Contessa (1954)

Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film.

Canzone d'amore (1954)

An aspiring singer is torn between the love for a devious ex-flame, the affection of a simple girl and the loyalty to his paralyzed best friend.

Appassionatamente (1954)

"Elena" cannot marry the man she loves, so enters into a loveless marriage with the wealthy "Andrea". Gradually she falls in love with him, but he never reciprocates. Things become further complicated when a letter from her first love "Carlo" is discovered.

Europa '51 (1952)

A wealthy, self-absorbed Rome socialite is tacked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Europa '51 - Europa '51 (1952)

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Europa '51 - Europa '51 (1952)

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Quo vadis (1951)

After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.