Margareth Clémenti's Filmography on TV

Nel regno di Napoli (1978)

Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroet

Il Casanova di Federico Fellini (1976)

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?

Il fiore delle mille e una notte (1974)

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

Medea (1970)

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

Homeo (1967)

O’Leary’s second film is a disjointed collage of beautifully shot footage with the filmmaker’s primitive and experimental soundtrack (lots of harmonium in this one). There are cityscapes, signs and billboards, nudes and plenty of cameos by other French actors/filmmakers of the day. Those with a sharp eye will spot Pierre Clementi (also credited as a cinematographer), Juliet Berto, Michel Auder, Frederic Pardo and more. —Herb Shellenberger