Admitting to her own lively nature as a child, Sloane took up acting as an outlet for her energy. She developed a real love for the art and signed with an agent at the tender age of 8. Sloane was a television series regular on "Mr. Rhodes" (1996) and had a recurring role on "The Wonder Years" (1988). She has also appeared on "Dharma & Greg" (1997), "Working" (1997) and "My So-Called Life" (1994), as well as the made-for-television movie, "CBS Schoolbreak Special: Between Mother and Daughter
Gender: Female
Born On: 8-Aug-1977
Last Info Sync: 9/13/2018 10:50:00 AM
Lindsay Sloane's Filmography on TV
List of programs starring Lindsay Sloane on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 25, 2024 11:50 PM
Endings, Beginnings (2020)
An artist dumps her longtime boyfriend, but her attempt to take a break from dating ends when she quickly finds herself in two passionate romances.
Horrible Bosses 2 (2014)
Dale, Kurt and Nick decide to start their own business but things don't go as planned because of a slick investor, prompting the trio to pull off a harebrained and misguided kidnapping scheme.
Horrible Bosses (2011)
For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers... permanently.
Come ammazzare il capo... e vivere felici (2011)
For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers... permanently.
Come ammazzare il capo 2 (2011)
For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers... permanently.
The Other (2010)
Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.
Poliziotti di riserva (2010)
Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.
I poliziotti di riserva (2010)
Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.
The Other Guys (2010)
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don't get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You've seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They're not heroes, they're "the other guys." But every cop has his or her day and soon Gamble and Hoitz stumble into a
The Other Guys (2010)
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don't get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You've seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They're not heroes, they're "the other guys." But every cop has his or her day and soon Gamble and Hoitz stumble into a