Jim Pebanco's Filmography on TV

DAMASO (2019)

A musical film protraying Padre Damaso, Jose Rizal's famous villain in his book 'Noli Me Tangere.

BES AND THE BESHIES (2017)

It tells the story of four friends: a single mom hoping to complete her family, a martyr wife who will do anything to keep her family from falling apart, a mistress who is desperate to have her own family, and a young woman who fully supports them.

MIGRANTE (2012)

The film portrays the true stories of Filipinos, who, due to poverty in their country, are forced to go abroad to look for work, hoping they would find a better life.

Touch (2009)

Jonard is having trouble making ends meet. His mother is suffering from depression, and he and his sister are forced to quit school in order to take care of her. One day, Jonard meets up his friend Rodel, and Rodel introduces him to the world of massage parlors. Rodel teaches him massage, and brings him to Heavenly Touch, a syndicate-run massage parlor that mostly caters to homosexuals.

SHAKE, RATTLE & ROLL 9 (2007)

This ninth installment in the classic horror series offers up a trio of spine-chillers from the Philippines. In Christmas Tree, a rampaging Christmas tree is out for blood as it terrorizes a family during the holidays; next, in Bangungot, three people in a love triangle find themselves ensnared in a supernatural nightmare. Finally, a teenage Goth band is cursed by a temptress's lethal spell in Engkanto.

MANO PO 5: GUA AI DI (2006)

A culinary romance set in Binondo, where Chinese traditions are still very much observed, Mano Po 5: Gua Ay Di is a touching story of how a young Chinese woman fights for the man she loves. She is doomed by strict family traditions to only wed someone of pure Chinese descent. But Charity finds love where she was not supposed to find it... at least according to her cold-hearted mother. Despite being met with resistance by her traditional Chinese family, most especially her mother, Charity continu

MANO PO (2002)

During the Chinese Revolution in 1949, young Chinese copra trader named Fong-Huan marries Elisa, a young and pretty Filipina. The couples children, Daniel and Linda, were raised in a mixture of Chinese and Filipino-Hispanic tradition. These richly cultured people are the ancestors of a dysfunctional third-generation family whose daughters tell their own stories of joy, struggle, and the complex realities in the life of Filipino Chinese families.