James Jeter's Filmography on TV

A Perfect World (1993)

A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honorable U.S. Marshal.

Black Sunday (1977)

An Israeli anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a plot to commit a terrorist attack at the Super Bowl.

Questa terra e' la mia terra (1976)

A biography of Woody Guthrie, one of America's greatest folk singers. He left his dust-devastated Texas home in the 1930s to find work, discovering the suffering and strength of America's working class.

Questa terra è la mia terra (1976)

A biography of Woody Guthrie, one of America's greatest folk singers. He left his dust-devastated Texas home in the 1930s to find work, discovering the suffering and strength of America's working class.

The Big Bus (1976)

The ultimate disaster film parody. A nuclear-powered bus is making its maiden non-stop trip from New York to Denver. The journey is plagued by disasters due to the machinations of a mysterious group allied with the oil lobby. Will the down-on-his-luck driver, with a reputation for eating his passengers, be able to complete the journey?

Nick mano fredda (1967)

When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.

Quelli della San Pablo (1966)

Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.

The Sand Pebbles (1966)

Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.

Pebbles (1966)

Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.