Howard McNear Poster

From Wikipedia, the free encyclopedia Howard McNear Born Howard Terbell McNear January 27, 1905 Los Angeles, California, U.S. Died January 3, 1969 (aged 63) San Fernando, California, U.S. Howard Terbell McNear (January 27, 1905 – January 3, 1969) was an American stage, screen, and radio character actor. McNear is best remembered as Floyd Lawson, the barber in The Andy Griffith Show (1960-1968).
Gender: Male
Born On: 27-Jan-1905
Last Info Sync: 9/13/2018 5:15:00 PM

Howard McNear's Filmography on TV

List of programs starring Howard McNear on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 26, 2024 3:50 PM

Non per soldi... ma per denaro (1966)

A cameraman is knocked over during a football game. His brother-in-law, as the king of the ambulance-chasing lawyers, starts a suit while he's still knocked out. The cameraman is against it until he hears that his ex-wife will be coming to see him. He pretends to be injured to get her back, but also sees what the strain is doing to the football player who injured him.

Baciami, stupido (1964)

While traveling home from Vegas, an amorous lounge singer named Dino gets conned by a local mechanic/songwriter into staying in town for the night. The mechanic's songwriting partner, Orville, offers Dino his home for overnight lodging and enlists a local waitress/call girl to pose as his wife in order to placate Dino's urges.

Irma la dolce (1963)

Nester Patou, a naive police officer, is transferred to the red light district in Paris and organizes a raid on a dodgy hotel running as a brothel. In doing so he inadvertently disrupts the corrupt system of the police and the pimps union, and even nets his station superior. Fired from his job, Nester goes to the local bar for a drink and befriends a pretty young lady named Irma la Douce. Upon realizing she is a prostitute, Nester invents a crazy scheme to keep her from seeing other men.

Irma La Douce (1963)

A Parisian policeman gives up everything for the love of a free-living sex worker.

Irma (1963)

Nester Patou, a naive police officer, is transferred to the red light district in Paris and organizes a raid on a dodgy hotel running as a brothel - inadvertently disrupting the corrupt system of the police and the pimps union, and netting his station superior. Fired from his job, Nester goes to the local bar for a drink and befriends a pretty young lady named Irma la Douce. Upon realizing she is a prostitute, Nester invents a crazy scheme to keep her from seeing other men.

Fun in Acapulco (1963)

Mike works on a boat in Acapulco. When the bratty daughter of the boat owner gets him fired, Mike must find new work. Little boy Rauol helps him get a job as a lifeguard and singer at a local hotel. Clashes abound when Mike runs into the rival lifeguard, who is the champion diver of Mexico.

Blue Hawaii (1961)

Chad Gates has just been discharged from the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies and his girlfriend.

Voyage To The Bottom Of The Sea (1961)

The crew of an atomic submarine battle to save the world from global destruction.

Heller In Pink Tights (1960)

Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.

Anatomy of a Murder (1959)

A virtuoso James Stewart plays a small-town Michigan lawyer who takes on a difficult case: the defense of a young army lieutenant (Ben Gazzara) accused of murdering a local tavern owner who he believes raped his wife (Lee Remick). This gripping envelope-pusher, the most popular film by Hollywood provocateur Otto Preminger, was groundbreaking for the frankness of its discussion of sex—but more than anything else, it is a striking depiction of the power of words. Featuring an outstanding supportin

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