Gyanesh Mukherjee's Filmography on TV

Jukti Takko Aar Gappo (1974)

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist.

Jukti Takko (1974)

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist.

Abhijan (1962)

The story revolves around a taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.

Komal Gandhar (1961)

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

Meghe Dhaka Tara (1960)

The tragic story of the beautiful daughter of a middle-class refugee family from East Pakistan. Neeta, the protagonist, sacrifices everything for her unappreciative family.

Baishey Shravana (1960)

The tragic story set in the late 1930s, just before famine struck Bengal. It tells of the marriage of a dumpy middle-aged salesman of small goods to a beautiful teenager, and how, after initial days of happiness together, a series of misfortunes strike which slowly embitter the man.

Ajantrik (1958)

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

Bari Theke Paliye

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.