Graziella Granata's Filmography on TV

Il trapianto (1970)

To satisfy his wife, an elderly man has to have a penis transplant and is willing to pay a lot to do so. Three men are selected who for different reasons are forced to accept but giving up manhood can be more complicated than expected.

Satyricon (1969)

A series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome. Like the more famous version made by Federico Fellini, an adaptation of Petronius' Satyricon.

Al di la' della legge (1968)

A thief takes the job as a town sheriff in order to rob a silver shipment before his ex-partner can grab it.

Bersaglio mobile (1967)

On the run from the police in Athens, a man named Jason has in his possession a microfilm eagerly sought by both criminal gangs and government agencies.

La ragazza del bersagliere (1967)

Anita, a free Emilian girl falls in love with Salvatore, a Neapolitan bersagliere. The two would like to get married, but he drowns while bathing in the river. From that moment the woman is unable to love anyone else because, at the most beautiful, the ghost of her fiancé appears to her who, in the end, will be able to be followed in the other world.

Ischia operazione amore (1966)

Gennaro runs a small boarding house in Ischia, the beautiful island in the gulf of Naples. Each member of his family is involved: his wife cooks, his daughter has a small boutique and his married son courts the old and rich patrons under his wife's enraged eyes.

Io, io, io... e gli altri (1966)

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

Il compagno B (1965)

Priest Don Camillo blackmails his friendly rival Peppone into letting him join a Communist delegation visiting the Soviet Union.

Il compagno Don Camillo (1965)

Priest Don Camillo blackmails his friendly rival Peppone into letting him join a Communist delegation visiting the Soviet Union.

Comizi d'amore (1965)

Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie