Edmund Anthony Cutlar Purdom (19 December 1924 – 1 January 2009) was an English actor, voice artist, and director. He worked first on stage in Britain, performing various works by Shakespeare, then later in America on Broadway, until making his way to Hollywood, and eventually spent the remainder of his life appearing in Italian cinema. He is perhaps best known for his starring role in 1954's historical epic The Egyptian. By taking over important roles exited by Mario Lanza and Marlon Brando, Pu
Gender: Male
Born On: 20-Dec-1924
Last Info Sync: 4/30/2021 7:39:00 AM
Edmund Purdom's Filmography on TV
List of programs starring Edmund Purdom on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 23, 2024 4:05 AM
Don't Open Till Christmas (1984)
It's just days before Christmas in London, but not everyone is full of good cheer - as a maniac with a pathological hatred of Santa Claus stalks the streets, butchering any man that’s unlucky enough to be wandering around dressed as Old Saint Nick.
2019 - Dopo la caduta di New York (1983)
After a nuclear war society breaks down into two groups, the evil Euraks, and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which is controlled by the Euraks, to rescue the only fertile woman left on Earth.
The Scarlet And The Black (1983)
Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian resistance families. His diplomatic status in a Catholic country prevents Colonel Kappler from openly arresting him, but O'Flaherty's activities become so large that the Nazi's decide to assassinate him the next time he leaves the Vatican. O'Flaherty continues his work in a variety of disguises. Based on a true story. Written by John Vogel
I contrabbandieri di Santa Lucia (1979)
A revolution in Iran halts a heroin shipment, but an alliance of crime families is set on getting it to the US. They decide to run the drug through an unsuspecting network of good-natured, local smugglers in Naples, while an international anti-narcotics agent rushes to shut their operation down. Betrayals and divided loyalties lead to a final, bloody confrontation in America.
I padroni della citta' (1976)
Tony, a mob loan collector, is dissatisfied with his station in life. Though he dreams of one day being rich, he is stuck with the dead-end job of beating up borrowers who fall behind in their payments. After meeting up with Napoli, another mob enforcer who's just been fired from his job, the two hatch a plan. Together, they will con mob boss Manzari out of a fortune, after which they can retire and live in luxury. Manzari, however, is not about to let them go so easily.
Il colpaccio (1976)
A gang of robbers takes possession of a load of diamonds.. Only one of them, Mark Lemmon, is arrested and sentenced to life imprisonment. But before being captured, the gangster had managed to hide the loot in a sewer. Five years later, Mackenzie, an insurer, pretending to be a mafia boss, assigns three petty criminals to arrange his escape. Once free, Lemmon finds the booty but now he has to deal with his new 'partners'.
Karzan il favoloso uomo della jungla (1972)
Financed by Lord Carter and led by Captain Fox, an expedition is mounted to find and capture a jungle-man who lives in Africa.
Il Corsaro Nero (1971)
Rivaling Pirates and Spanish gold are the ingredients for this story. Blackie the pirate is the one who first hears from this shipment of gold when he encounters "Don" Pedro. He thinks of a plan to find this ship and its gold. His counter player is the vice roy of the Spanish kolony. When they visit one of the pirate settlements, they find three other pirate captains over there. One of them sells goods and prisoners from his latest capture. Don Pedro recognizes the wife of the vice roy, and Blac
Angeli bianchi... angeli neri (1970)
Witness devilish rituals from around the globe. Satanism! Voodoo! Majicks Black and White! Shocking Truths, etc.!
L'uomo che ride (1966)
A 1966 French-Italian film version made in Italy, titled L'uomo che ride, directed by Sergio Corbucci. This version features elaborate colour photography but a very low production budget. The main action is shifted to Italy and moved yesterwards in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. In this version, Gwynplaine is renamed Angelo (played by Jean Sorel). His disfigurement is represented as a single broad slash across his mouth, crude yet convincing. T