Eddra Gale's Filmography on TV

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

LA private eye Philip Marlowe (Robert Mitchum) is hired by ex-con Moose Malloy to find his girlfriend. While also investigating the murder of a client and the theft of a jade necklace, Marlowe becomes entangled with seductress Helen Grayle (Charlotte Rampling) and discovers a web of dark secrets that are better left hidden. Soaked in 1940s period detail, Farewell, My Lovely is a neo noir remake of the 1944 film but it follows the original Raymond Chandler's novel more closely.

LA private eye Philip Marlowe (Robert Mitchum) is hired by ex-con Moose Malloy to find his girlfriend. While also investigating the murder of a client and the theft of a jade necklace, Marlowe becomes entangled with seductress Helen Grayle (Charlotte Rampling) and discovers a web of dark secrets that are better left hidden. Soaked in 1940s period detail, Farewell, My Lovely is a neo noir remake of the 1944 film but it follows the original Raymond Chandler's novel more closely.

A man who has lost everything joins others paid to convey a wealthy man's wife - and a mysterious treasure - to safety in San Francisco.

Benjamin, a recent college graduate is very worried about his future, he then finds himself in a love triangle with an older woman and her daughter.

Benjamin, a recent college graduate is very worried about his future, he then finds himself in a love triangle with an older woman and her daughter.

Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.

A playboy who refuses to give up his hedonistic lifestyle to settle down and marry his true love seeks help from a demented psychoanalyst who is having romantic problems of his own.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.