From Wikipedia, the free encyclopedia
Clarence Muse (October 14, 1889 – October 13, 1979) was an actor, screenwriter, director, composer, and lawyer. He was inducted in the Black Filmmakers Hall of Fame in 1973. Muse was the first Negro to "star" in a film. He acted for more than sixty years appearing in more than 150 movies.
Born in Baltimore, Maryland, the son of Alexander and Mary Muse, he studied at Dickinson College, Carlisle, Pennsylvania, and received an international law degree in 1911
Gender: Male
Born On: 14-Oct-1889
Last Info Sync: 9/13/2018 5:57:00 PM
Clarence Muse's Filmography on TV
List of programs starring Clarence Muse on tv. Programs are sorted in order of last seen on tv. Last updated: May 15, 2025 6:34 AM
The Black Stallion (1979)
While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion that is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a deserted island. He befriends it, so when finally rescued both return to his home where they soon meet Henry Dailey, a once successful trainer. Together they begin training the horse to race against the fastest ones in the world.
The Black Stallion (1979)
While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion that is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a deserted island. He befriends it, so when finally rescued both return to his home where they soon meet Henry Dailey, a once successful trainer. Together they begin training the horse to race against the fastest ones in the world.
Car Wash (1976)
This day-in-the-life cult comedy focuses on a group of friends working at Sully Boyar's Car Wash in the Los Angeles ghetto. The team meets dozens of eccentric customers -- including a smooth-talking preacher, a wacky cab driver and an ex-convict -- while cracking politically incorrect jokes to a constant soundtrack of disco and funk. Some of the workers find romance as the day moves along, but most are just happy to get through another shift.
Sa Re Ga Ma Pa (1976)
This day-in-the-life cult comedy focuses on a group of friends working at Sully Boyar's Car Wash in the Los Angeles ghetto. The team meets dozens of eccentric customers -- including a smooth-talking preacher, a wacky cab driver and an ex-convict -- while cracking politically incorrect jokes to a constant soundtrack of disco and funk. Some of the workers find romance as the day moves along, but most are just happy to get through another shift.
Buck And The Preacher (1972)
A wagon master and a con-man preacher help freed slaves dogged by cheap-labor agents out West.
The Las Vegas Story (1952)
When newlyweds visit Las Vegas, the wife's shady past comes to the surface.
Genres
#Drama
Apache Drums (1951)
A gambler is thrown out of a western town, but returns when the town is suddenly threatened by a band of marauding Apaches.
My Favorite Brunette (1947)
Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible Baroness Montay to find the missing Baron. There follow confusing but sinister doings in a gloomy mansion and a private sanatorium, with every plot twist a parody of thriller cliches.
My Favourite Brunette (1947)
Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible Baroness Montay to find the missing Baron. There follow confusing but sinister doings in a gloomy mansion and a private sanatorium, with every plot twist a parody of thriller cliches.
Scarlet Street (1945)
Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.