Carlo Bagno's Filmography on TV

Nudo di donna (1981)

Sandro is a Roman adrift in Venice during Carnival. As he enters midlife, he argues with his wife of sixteen years more often than they laugh or make love. She's had enough of his moods, so they separate so he can sort out his mind. His first night away, he sees a photograph of a nude; the image resembles his wife. He searches for the model, whose name is Riri. He finds her, and she looks exactly like his wife, except that Riri is a gaily attired prostitute and Laura is a self-contained antiquar

Il malato immaginario (1979)

During the year 1673, Rome was besieged by poverty and violence. The rich Mr. Argante has two servants to look after him, while his wife is only waiting to see him dead to inherit.

Il giocattolo (1979)

A meek book-keeper is introduced to gun shooting by a friend, and appears to be very gifted. But things go wrong when he gets involved with gangsters.

In nome del Papa Re (1977)

In 1867, with Garibaldi's forces close to bringing Rome into the Italian kingdom, Monsignor Colombo da Priverno, a world-weary judge on the papal court, wants to resign, disgusted by the violence to which the papacy resorts to hold secular power.

Cara sposa (1977)

Alfredo, jailed for theft and fraud, after having served the sentence discovers that his wife Adelina no longer wishes to live with him.

Signore e signori, buonanotte (1976)

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a black dignitary of an embassy by a CIA agent and then into his own killing by another colleague. In a television film, the police are befooled by a fake bomb and put a real one in order not to be derided by the public. In a film inquisition show, the bishop of Naples speaks highly of the importance of the famil

Una sera c'incontrammo (1975)

Anno uno (1974)

Rossellini’s biopic of the postwar Christian Democrat leader, Alcide De Gaspari, who was responsible for keeping the Communists out of power in the years that followed the fall of fascism.

Il successo (1963)

With the desire to be rich gnawing at him, an arriviste pursues a golden real-estate opportunity at the expense of friends and family. Now, he has to renounce his dignity. What's the good of chasing success when you are left all alone?