Arun Mukherjee's Filmography on TV

Mahanagar@Kolkata (2010)

Director Suman Mukhopadhyay has strung three stories of Nabarun Bhattacharya Ek Tukro Nyloner Dori, Amar Kono Bhoy Nei Toh and Angshik Chandragrahan to create this film. The story of the film revolves around the people and their life of Kolkata metropolitan city.[1] The film explores the different worlds of Manmatha, Jagadish, Biren, Rohit, Rongili and Kamalini. Manmatha and Jagadish belong to different economic and social class. Biren is jobless. Rohit is an NRI, Kamalini is wife of Rohit. Rohi

Mahanagar@Kolkata (2010)

Director Suman Mukhopadhyay has strung three stories of Nabarun Bhattacharya Ek Tukro Nyloner Dori, Amar Kono Bhoy Nei Toh and Angshik Chandragrahan to create this film. The story of the film revolves around the people and their life of Kolkata metropolitan city.[1] The film explores the different worlds of Manmatha, Jagadish, Biren, Rohit, Rongili and Kamalini. Manmatha and Jagadish belong to different economic and social class. Biren is jobless. Rohit is an NRI, Kamalini is wife of Rohit. Rohi

I Love You (2007)

A rich young man must prove his love for a simple village belle; she is humiliated by his family, so he opts to rusticate with hers.

Dev I Love You (2007)

A rich young man must prove his love for a simple village belle; she is humiliated by his family, so he opts to rusticate with hers.

Ekdin Pratidin (1979)

The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.

Pratidin (1979)

The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.

Komal Gandhar (1961)

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.