Anita Sharp-Bolster's Filmography on TV

Payroll (1961)

A vicious gang of crooks plan to steal the wages of a local factory, but their carefully laid plans go wrong, when the factory employs an armoured van to carry the cash. The gang still go ahead with the robbery, but when the driver of the armoured van is killed in the raid, his wife plans revenge, and with the police closing in, the gang start to turn on each other.

The House In Marsh Road (1960)

When a woman inherits a valuable house, her nasty husband and his mistress plot murder. But the house has a protective poltergeist who thwarts the wicked pair.

The Man Who Liked Funerals (1959)

A man wants to help a youth club that is in danger of closure. He decides to resort to blackmailing the relatives of the recently deceased, threatening to publish incriminating stories about them. Then he tries to blackmail the family of a prominent villain.

Stormy Crossing (1958)

After murdering his lover, cross-channel swimmer Joy Webster, Derek Bond attempts to do same to her other boyfriend, Sheldon Lawrence. John Ireland plays an Interpol detective who stems Bond's homicid

The Reluctant Bride (1955)

A money-to-burn and girl-chasing Texas oilman, and a sensitive, dignified entomologist find themselves in charge of a brood of wild kids whose parents, both famous explorers, are reported lost while on an African safari.

Botany Bay (1953)

Waterfront (1950)

When ship's fireman Peter McCabe walks out on his long-suffering wife, he leaves her impoverished, with two young daughters and a boy born soon after his departure. After an absence of fourteen years McCabe returns, sacked and humiliated, trailing trouble in his wake.

The Perfect Woman (1949)

In need of cash, Roger Cavendish and his valet take a job escorting the perfect woman for a night on the town. She is in fact the robotic creation of Professor Belman, but it turns out rather to be the Professor's niece Penelope doing a pretty good imitation of the perfect Olga who winds up with them in the bridal suite at the Hotel Splendide.

Scarlet Street (1945)

Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.

Scarlett Street (1945)

Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.