P. Ravi Shankar's Filmography on TV

Two brothers from village move to city to pursue their dreams, but situations land them in trouble as they inadvertently tangle with dangerous local kingpin, while desperately seeking the money to pay for their father’s life-saving surgery.

A group of boisterous artists come to film a horror movie in a seemingly haunted bungalow but their plans are soon derailed by intercepting ghosts and spirits inhabiting the premises.

A man goes in search of some urgently required answers to the world of Bhairavakona, from which there's seemingly no way out.

Years after his mother left him and remarried, Ramana is asked to sign documents denying any relations with his mother, but he refuses and demands answer to why his mother left him.

Bhagavanth Kesari's life takes an unexpected turn when he becomes the guardian of Vijaya Lakshmi aka Vijji, daughter of his jailer. Kesari, with his unwavering sense of justice, embarks on a journey to nurture Vijji into a resilient young woman aspiring to join the Indian army. Intertwined in this narrative is the presence of Rahul Sanghvi, a power-hungry tycoon whose connection with Bhagavanth and Vijji, unravels hidden secrets.

A reformed gangster now taxi driver unwittingly draws the vengeance of a crime syndicate after aiding the police in busting a smuggling operation. Fueled by a burning desire for justice and to protect his adopted sister, he embarks on a relentless quest to hunt down the mobsters responsible.

Jai Simha Reddy, a businessman in Turkey and doting son of Meenakshi falls in love with Eesha. On the verge of his marriage, Jai comes to know the secret about his father Veera Simha Reddy who comes to Turkey to settle the marriage, which is when Jai meets his father for the first time. Things take a drastic turn around when Veera's past follows him to Turkey.

Chiranjeevi is a bachelor seeking his perfect match. His family rejects a lot of alliances and search for a bride continues, until Aadhya enters the scene. However, Aadhya’s mother resists her daughter’s marriage to Chiru because it goes against what she believes as marriage to be – male dominance over females.

Sathya, a philanthropist who now runs an orphanage, has to go to Poland for the treatment of young Janu. While there, an international criminal named Ghost carries out heists. Who is Ghost? And what has Sathya got to do with it all?

Sathya, a philanthropist who now runs an orphanage, has to go to Poland for the treatment of young Janu. While there, an international criminal named Ghost carries out heists. Who is Ghost? And what has Sathya got to do with it all?