Barry John's Filmography on TV

M Cream (2016)

A motley crew of university students set out on a journey in pursuit of a mythical form of hash, confronting a series of encounters that begin to unravel the myriad realities of rebellion.

Barah Aana (2009)

Barah Aana is a comedy of real life set in today's Mumbai. The story revolves around three unlikely friends: a driver (Naseeruddin Shah), a watchman (Vijay Raaz) and a waiter (Arjun Mathur). The driver is an older man, stoic but dependable. The watchman, in his 30's, is a pushover at work but otherwise mischievous. The waiter is a young, swaggering chap, brimming with ambition. Living together, their different attitudes make for an interesting banter.At some point, misfortune befalls the watchma

The Great Indian Butterfly (2007)

Krish and Meera, form a young Indian couple climbing the ladder of the corporate rate race in a nation hurtling forward at a rate unprecedented in its long history. Stressed, frustrated and unable to come to terms with the sacrifice required for success, they go in search of a legendary magical insect - The Great Indian Butterfly. Last seen by the unknown Portuguese explorer Carodiguez, in a remote valley located in erstwhile colonial Goa, the butterfly possesses a magical aura, granting immense

Gandhi (1982)

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

Shatranj Ke Khiladi (1977)

It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country