Hugh Herbert's Filmography on TV

The Girl From Manhattan (1948)

A small-town girl who's made it big in New York as a fashion model returns home, only to find that her somewhat dotty uncle has mortgaged his boarding house to the hilt. In her efforts to help him keep his boarding house, she becomes involved with a handsome young minister and his superior, an older bishop. Written by frankfob2@yahoo.com

One Born Every Minute (1942)

A nine-year-old Elizabeth Taylor made her film debut in this lively comedy. She plays the spoiled-brat daughter of a pudding manufacturer who has been entered into the town's mayoral race by some of the local businessmen. They have chosen him because they think he is easy to manipulate. As a sales gimmick, the pudding magnate advertises that his product contains the highly nutritious "Vitamin Z." He suddenly begins selling pudding like crazy and soon his political campaign is well-funded. Unfort

The Villain Still Pursued Her (1940)

Victorian melodrama gets a big send-up in this spoof production of the old play "The Drunkard; or, The Fallen Saved." The play within the movie is the old one where evil villain Cribbs schemes to get his lusty clutches on the heroine by driving her naive husband to alcoholic ruin. Luckily, a temperance lecturer is on hand to set things straight, as is the great Buster Keaton as the drunkard's brother.

Eternally Yours (1939)

Anita, engaged to solid Don Barnes, is swept off her feet by magician Arturo. Before you can say presto, she's his wife and stage assistant on a lengthy world tour. But Anita is annoyed by Arturo's constant flirtations, and his death-defying stunts give her nightmares. And forget her plan to retire to a farmhouse. Eventually, she has had enough and disappears.

From Headquarters (1933)

When a Broadway playboy is found dead, it's up to detective Jim Stevens to pick the murderer out of several likely candidates.

Faithless (1932)

Socialite Carol Morgan romps through the Depression and her wealth while breaking up with Bill Wade and getting back together with him.

Hook, Line and Sinker (1930)

Two fast-talking insurance salesmen meet Mary, who is running away from her wealthy mother, and they agree to help her run a hotel that she owns. When they find out that the hotel is run down and nearly abandoned, they launch a phony PR campaign that presents the hotel as a resort favored by the rich. Their advertising succeeds too well, and many complications soon arise.

Danger Light (1930)

Head railroad man Dan is as ugly as he is honorable. When he spots a drifter who'd hopped a freight held up by a landslide, Dan offers the man a job; then he finds the man was a railroader, too, and t