Cliff Clark's Filmography on TV

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richa

In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly attracted to Jeff, who's being plagued by unexplainable accidents, major and minor. Bad luck, persecution...or paranoia? Warned that Jeff could be dangerous, Ellen fears that he's in danger, as the menacing atmosphere darkens.

In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly attracted to Jeff, who's being plagued by unexplainable accidents, major and minor. Bad luck, persecution...or paranoia? Warned that Jeff could be dangerous, Ellen fears that he's in danger, as the menacing atmosphere darkens.

Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.

Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

In John Ford's sombre exploration of the mythology of American heroes, he slowly reveals the character of Owen Thursday, who sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, Thursday attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

In John Ford's sombre exploration the mythology of American heroes, he slowly reveals the character of Owen Thursday, who sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, Thursday attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

An advertising executive dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems.