Richard Braine's Filmography on TV

List of programs starring Richard Braine on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 26, 2024 8:07 AM

Che pasticcio, Bridget Jones! (2004)

Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, a strange contractor and the worst vacation of her life.

Calendar Girls (2003)

Members of a Yorkshire branch of the Women's Institute cause controversy when they pose nude for a charity calendar.

Calendar (2003)

Members of a Yorkshire branch of the Women's Institute cause controversy when they pose nude for a charity calendar.

Only Fools and Horses: If They Could See Us Now (2001)

Due to bad investment and the Central American stock market crash the Trotters lose all their money. Whilst Rodney and Cassandra spice up their love life by dressing up, Del decides to restore the family wealth by going on the quiz show 'Gold Rush', hosted by Jonathan Ross. He does very well but has to phone Rodney for the answer to the jackpot question, and Rodney gives the wrong answer. Back home Del gets a call from the show to say that Rodney's answer was actually correct so that Del has won

Stiff Upper Lips (1998)

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.

Fool Britannia (1998)

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.

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