Bernadette Lafont's Filmography on TV

Attila (2013)

Paul is a sweet man-child, raised — and smothered — by his two eccentric aunts in Paris since the death of his parents when he was a toddler. Now thirty-three, he still does not speak. Paul's aunts have only one dream for him: to win piano competitions. Although Paul practices dutifully, he remains unfulfilled until he submits to the interventions of his upstairs neighbour. Suitably named after the novelist, Madame Proust offers Paul a concoction that unlocks repressed memories from his childhoo

Paulette (2012)

Paulette lives alone in a housing project in the Paris suburbs. With her meager pension, she can no longer make ends meet.

Il ladrone (1979)

Caleb, "son of nobody" (Enrico Montesano) lives in Galilee in Jesus' day and struggles as a thief and con-man, pretending to be a magician. When he witnesses Jesus turning water into wine, he thinks he's found a competitor. So Caleb goes on, convinced that Jesus is a fake just as he is, always trying to figure out his tricks. In the meantime, he gets involved with a prostitute (played by Edwige Fenech), but also with the wife of a Roman patrician (played by the equally alluring Bernadette Lafont

Caccia al montone (1976)

Fred works for an insurance company as a computer engineer. He is bored with enduring the trials of his shrewish wife, so, after using actuarial tables to calculate the most common means of death, he cleverly prepares the family bathroom and brings about her demise. For a while he is content with his new freedom, but then he recognizes that a friend is in a similar situation.

La maman et la putain (1973)

Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.

Il ladro di crimini (1969)

A man witnesses a suicide and starts imagining that it was a murder committed by himself.

Les Idoles (1968)

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.