Kenny Scharf's Filmography on TV

Keith Haring: Street Art Boy (2020)

In the 1980s Keith Haring blazed a trail through the galleries and nightclubs of downtown New York's art scene. Rebellious and ingenious, Haring chose to operate both inside and outside the art world. Inspired by the city's graffiti scene, he made New York's subways, tarpaulins and walls his canvas. This new feature documentary blends stunning archive and an edgy soundtrack, with tender and candid first-hand accounts of Haring. It tells the extraordinary story of an artist who lived and created

Keith Haring - Street Art Boy (2020)

In the 1980s Keith Haring blazed a trail through the galleries and nightclubs of downtown New York's art scene. Rebellious and ingenious, Haring chose to operate both inside and outside the art world. Inspired by the city's graffiti scene, he made New York's subways, tarpaulins and walls his canvas. This new feature documentary blends stunning archive and an edgy soundtrack, with tender and candid first-hand accounts of Haring. It tells the extraordinary story of an artist who lived and created

Basquiat: Rage to Riches (2017)

This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance o

Pollock (2000)

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.