George Voskovec's Filmography on TV

Barbarosa (1982)

Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.

Somewhere in Time (1980)

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

Iceman Cometh (1973)

Set in 1912, inside a dive bar named The Last Chance Saloon, its destitute patrons eagerly await the arrival of Hickey, who arrives annually and props everyone up with free drinks and spirited stories of his travels. However, when Hickey does show up this year, it is with a message of temperance and an exhortation to give up hopeless dreams and face reality.

The Boston Strangler (1968)

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

The Spy Who Came in from the Cold (1965)

British agent Alec Leamas refuses to come in from the Cold War during the 1960s, choosing to face another mission, which may prove to be his final one.

The Bravados (1958)

Jim is a rancher and a widower, and he rides into Rio Arriba, where four men are awaiting execution. He wants to see the hanging, but the town has issued instructions to only allow the hangman to enter. They have never had an execution before, so they have brought in a man from outside town to do the job.

Bravados (1958)

Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.

12 Angry Men (1957)

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

Affair in Trinidad (1952)

A nightclub singer enlists her brother-in-law to track down her husband's killer.