Ettore Manni's Filmography on TV

During the year 1673, Rome was besieged by poverty and violence. The rich Mr. Argante has two servants to look after him, while his wife is only waiting to see him dead to inherit.

Nino, a regular working-class guy, finds that a hitman has been hired to kill him. He discovers that a wealthy woman has been kidnapped and that everyone who was involved in it is being killed off. However, Nino had nothing to do with the kidnapping and has to find out who has sent the killers and stop them before it's too late.

Pretty solid Merli/Massi collaboration. The plot is a simple one that centers on various kidnapping episodes. With each scenario, the stakes increase for Merli's character and he must race against the clock to resolve each standoff.

Young boy who sees his father gunned down kills the assassin. Years later, he has grown up to be a successful bounty hunter who is feared by many. And then one day he discovers secrets to his past...

In 1867, with Garibaldi's forces close to bringing Rome into the Italian kingdom, Monsignor Colombo da Priverno, a world-weary judge on the papal court, wants to resign, disgusted by the violence to which the papacy resorts to hold secular power.

Ray Lovelock stars as Massimo, a young undercover cop with a taste for violence and a thirst for revenge! Massimo gets himself arrested and quickly infiltrates the ranks of the underworld figure serving a sentence. Eventually a breakout is planned and Massimo is to be included. Just about as soon as they hit the street an attempt is made on the boss' (Martin Balsam) life. Massimo acts quickly in helping to save him and that's the in he has been waiting for

A Mafia boss is enraged when he is suspected of smuggling a heroin shipment into San Francisco. He dispatches his nephew, a hotshot Anglo-Sicilian lawyer, to identify the real culprit. The lawyer also enlists the aid of his best friend, a grand prix driver with an adventurous streak.

In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the

Augusto Valle is a successful young industrialist who weds Palmira, the girl working in his factory, and the two have a child despite the infant's uncertain legitimacy. Scheming to control her husband's fortune, Palmira has affairs with both the mayor and the judge to have Augusto committed to a mental institution. While there, he falls in love with Serafina Vitali, a young woman who was also put away.

In the decadent Roaring Twenties, a beautiful woman engages in affairs with two men, playing them against each other.