Benny Rubin's Filmography on TV

Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"

Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she shares with her roommate Audrey, Joan brings Tom over to a fancy apartment that she cleans on a daily basis not knowing that it's his place. Tom plays along with the charade despite not knowing who Joan really is, while she tries to tidy up Tom's place not knowing who he really is. Written by Matthew Patay

Poor Jerome Littlefield. He wants to be a doctor – but that's not exactly the perfect career choice when you're hopelessly squeamish. So he settles for the job of orderly at the Whitestone Sanitarium, a career move that's guaranteed to keep the patients – and viewers – in stitches!

Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.

A sportswriter who marries a fashion designer discovers that their mutual interests are few, although each has an intriguing past which makes the other jealous.

In the 1870s, Marshal Wyatt Earp (Bruce Cowling) calls upon Dodge City, Kan., Sheriff Bat Masterson (George Montgomery) to track down rancher Merrick (John Maxwell), who is accused of murder. But, thanks to some proof held by local Native American Chief Yellow Hawk (Jay Silverheels), Masterson realizes Merrick might be the victim of a frame-up. So, with the help of Earp and gunfighter Doc Holliday (James Griffith), Masterson sets out to find those who are really behind the killing.

Billy the Kid is forced to kill for the woman he loves, and is ultimately brought to justice by his old friend Pat Garrett.

Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.