Michael Feast's Filmography on TV

Le morti di ian stone (2007)

Deaths tells the story of an all-American guy who is murdered each day by horrifying pursuers, only to wake up in slightly different lives to experience the terror of being murdered again.

Penelope (2006)

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soul mate when she's sequestered inside her family's estate with only her parents to keep her company. This untraditional fairy tale about a girl who bucks convention to create her own happy ending.

Penelope (2006)

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soul mate when she's sequestered inside her family's estate with only her parents to keep her company. This untraditional fairy tale about a girl who bucks convention to create her own happy ending.

Sleepy hollow (1999)

New York detective Ichabod Crane is sent to Sleepy Hollow to investigate a series of mysterious deaths in which the victims are found beheaded. Locals believe the culprit to be none other than the legendary Headless Horseman.

The Murder of Stephen Lawrence (1999)

Stephen Lawrence was a black London teenager murdered by white racists in 1993. His parents fought to have the crime properly investigated, culminating in a judicial enquiry into the event itself and also the inadequacies of the ensuing investigation by the London Metropolitan Police.

Touching Evil (1997)

Follow the exploits of the Organized and Serial Crime Unit (OSC). Maverick Detective Inspector Dave Creegan is the newest member of the unit, an elite, rapid-response crime squad. The OSC uses their diverse crime-fighting skills to bring justice to society.

Fratello sole, sorella luna (1972)

In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.

Private Road (1971)

Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.