Rashid Khan's Filmography on TV

Teesri Manzil (1966)

A woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.

Manzil Manzil (1966)

A woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.

Manzil (1966)

A woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.

Mujhe Jeene Do (1963)

Though from India, this tale rings of Western familiarity -- especially of the Old West. When a beautiful courtesan is kidnapped by a burly bandit, the baddie gets far more than he had anticipated; he finds himself falling for her. Unfortunately for the couple, the authorities catch up with him and their short-lived romance ends in tragedy.

Hum Dono (1961)

Identical soldiers become entangled in each other's lives after one of them falls in battle. When one is presumed dead, the other goes to inform the family but confusions arise as he looks identical.

Shreeman 420 (1955)

Wearing torn Japanese shoes, English trousers, a red Russian cap, and a Hindustani heart, orphaned Ranbir Raj comes to Bombay to make his fortune. He pawns his gold medal, gambles with the money, loses everything, & the balance is pick-pocketed. He ends up on the beach, meets with Vidya Shastri, a teacher who runs a private school, and both fall in love. Ranbir gets a job in a laundry. When he goes to deliver some clothes to Maya, she notices that he has a way with cards, gets him to accompany h

Shree 420 (1955)

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Aar Paar (1954)

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.