Barry Stanton's Filmography on TV
List of programs starring Barry Stanton on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 22, 2024 2:14 PM
Shanghai Knights (2003)
The dynamic duo of Chon Wang and Roy O'Bannon return for another crazy adventure. This time, they're in London to avenge the murder of Chon's father, but end up on an even bigger case. Chon's sister
Shanghai Knights (2003)
The dynamic duo of Chon Wang and Roy O'Bannon return for another crazy adventure. This time, they're in London to avenge the murder of Chon's father, but end up on an even bigger case. Chon's sister is there to do the same, but instead unearths a plot to kill the royal family. No one believes her, though, and it's up to Chon and Roy (who has romance on his mind) to prove her right.
2 cavalieri a Londra (2003)
The dynamic duo of Chon Wang and Roy O'Bannon return for another crazy adventure. This time, they're in London to avenge the murder of Chon's father, but end up on an even bigger case. Chon's sister is there to do the same, but instead unearths a plot to kill the royal family. No one believes her, though, and it's up to Chon and Roy (who has romance on his mind) to prove her right.
The Madness of King George (1994)
Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.
Robin Hood - La leggenda (1991)
The Swashbuckling legend of Robin Hood unfolds in the 12th century when the mighty Normans ruled England with an iron fist.
Tell Me Lies (1968)
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson a