Paolo Calabresi's Filmography on TV

Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.

Vladimiro and Brunilde are grappling with the disappearance of Nando, the head of the family. The sad event brought together the human family of Luna, daughter of Nando, and the monstrous one of her husband Adalberto. Humans, vampires, witches, werewolves and ghosts will find themselves in the throes of a new monstrous marriage...

The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.

Anthology comedy film about ordinary stories of holiday hypocrisy.

The love story of Eva, a young immigrant who has always dreamed of becoming a singer but works as a dishwasher, and Armie, a very skilled pianist with a fervent imagination. Both will discover that fantasy, dream and life can instead mix and become the recipe for happiness. The background is New York after the Great War and before the Great Depression, in an era of music, hopes and great changes.

A racewalking athlete Maria runs a petrol station with a takeaway shop in a desolate mountain village, she is almost 30 years old, she may have little chance to fulfill her lifelong dream of success but at what cost?

Mr. Imbruttito, a leading executive of a large multinational, lives the routine in his hectic Milan. Breaking this balance is Brusini, an eccentric entrepreneur at the head of an economic empire, who for an absurd reason blows up what for the Brutito is the business of life. For the first time, the Ugly one feels the pinch, falls into depression, can no longer find a reason to wake up in the morning. The turning point comes from Brera, a longtime friend, who proposes to the Bruttito the purchase

Students Adalberto and Luna meet and fall in love. Far from home, they can't get to know each other's family. This has to change once Luna gets pregnant. Adalberto first paints such an unflattering portrait of them that Luna says: "you talk as if they were monsters ". Little does she know.

Sara and Nicola are expecting their second son. Through the late Mattia Torre's sharp look, all the joys and sorrows of being a parent in the modern day Italy are unraveled in an absolutely brilliant and witty way.