José María Yazpik (born November 13, 1970) is a Mexican film and television actor.
Yazpik was born in Mexico City in the bosom of a wealthy family, the son of a successful gynecologist, Dr. Jose Maria Meza, and Cristina Yazpik.
His first acting job came from a friend of his father, who produced the TV movie The brute with the angel of death. He moved to Mexico City to study at CEA of Televisa. At the CEA he studied with future celebrities like Arath de la Torre, Fabián Corres and Eduardo Rill.
Gender: Male
Born On: 30-Nov-1970
Last Info Sync: 3/18/2023 8:25:00 PM
José María Yázpik's Filmography on TV
List of programs starring José María Yázpik on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 25, 2024 11:56 PM
Madame Web (2024)
Forced to confront revelations about her past, paramedic Cassandra Webb forges a relationship with three young women destined for powerful futures...if they can all survive a deadly present.
Narcos: Messico (2018)
See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.
Gli amanti passeggeri (2013)
Something has gone wrong with the landing gear of a plane en route from Madrid to Mexico City. The group of eccentric travelers on the flight, defenseless in the face of danger, indulge in colourful confessionals, while the outlandish crew attempts to find ways to entertain them.
The burning plain - Il confine della solitudine (2008)
A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?
The burning plain - Il confine della.. (2008)
A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?
La Mala Educación (2004)
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.