Piero Morgia's Filmography on TV

At the end of the Civil War, a Union soldier is released from prison and travels with a fellow prisoner to Missouri where his travelling companion is shot and hung for horse stealing. California decides to take the dead companion's belongings to his family's ranch, where he falls in love with his friend's sister. But then the "ghosts" of the war return in an unexpected way haunting him again.

At the end of the Civil War, a Union soldier is released from prison and travels with a fellow prisoner to Missouri where his travelling companion is shot and hung for horse stealing. California decides to take the dead companion's belongings to his family's ranch, where he falls in love with his friend's sister. But then the "ghosts" of the war return in an unexpected way haunting him again.

When a don who they were suppose to protect ends up dead, his bodyguard and bodyguard's friend must go under cover to escape the wrath of mob.

Locked up in prison and awaiting execution, bored young vagabonds Bernardino and Mammone pass their time competing in a vulgar storytelling competition, relating indecent accounts about castration, unsavory testicles and an atypical threesome. Not intended for the faint of heart, this audacious piece of moviemaking focuses on tales of jealousy, murder and uncontrollable desires.

Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native American girl helps both outlaws and plays both sides against each other.

Anita, a free Emilian girl falls in love with Salvatore, a Neapolitan bersagliere. The two would like to get married, but he drowns while bathing in the river. From that moment the woman is unable to love anyone else because, at the most beautiful, the ghost of her fiancé appears to her who, in the end, will be able to be followed in the other world.

Dim-wits Franco and Cicco try to come up with a plan to rob the safes of the Bank of Italy, but with one muddle after another, they find themselves empty-handed after each attempt to do so.

KGB authorities abduct two criminals (Franco and Ciccio) who look exactly like missing spacemen and pretend they are the returning cosmonauts. They launch them in a rocket, so that they can land in public view, leading the populace to believe it was the original space craft that has returned. The two criminals look so much like the astronauts, they even fool the wives of the astronauts. Later however, the original spacecraft returns to Earth undamaged, and the plan goes all to pieces. In the end

Franco and Ciccio are two simple-minded Italian guys whom are mistaken by KGB spies by government agents from their government and other foreign governments.

A pair of brothers, Baby Toto and Pietro, sons of different mothers, live stealing suitcases at the Termini Station in Rome. After a theft they discover that the stolen suitcase they got from an apparent sweet old lady actually contains a corpse. In an attempt to discard the suitcase they mistakenly exchange it with the one of two German hitchhikers, Helga and Inga. Forced to retrieve the "corpus delicti" they are discovered by Count Mischa who blackmail them: in exchange for his silence with t