Paris Opera Orchestra's Filmography on TV

Mozart - Cosi' fan tutte (2017)

Prompted by Don Alfonso, a cynical old philosopher, two young idealists decide to put their lovers’ fidelity to the test. But love will teach them a bitter lesson: those who believe themselves phoenixes and goddesses will discover the desires of the flesh… In 1790, one year after the French Revolution, in what would be their final collaboration, Mozart and Da Ponte conduct a scientific investigation of love. With six singers doubled by six dancers, Anne Teresa De Keersmaeker depicts the desire w

Mozart - Cosi fan tutte (2017)

Prompted by Don Alfonso, a cynical old philosopher, two young idealists decide to put their lovers’ fidelity to the test. But love will teach them a bitter lesson: those who believe themselves phoenixes and goddesses will discover the desires of the flesh… In 1790, one year after the French Revolution, in what would be their final collaboration, Mozart and Da Ponte conduct a scientific investigation of love. With six singers doubled by six dancers, Anne Teresa De Keersmaeker depicts the desire w

Debussy - Pelleas et Melisande (2013)

Debussy's masterpiece, for the first time conducted by the Paris Opera's music director Philippe Jordan, in the fairy staging by Robert Wilson. When Prince Golaud, grandson of King of Allemonde, meets the beautiful Mélisande, he knows nothing about her. Though, he marries her. A few months later, Golaud announces his wedding to his brother Pelléas, who seems to be falling in love with the woman.

Delibes - Coppelia (2011)

Premiered in Paris in 1870, and inspired by the fantastical writings of E.T.A Hoffmann, Coppélia tells the story of a young man who falls in love with an exquisite automaton. He is finally brought to his senses by his fiancée. In his production from the magnificent Palais Garnier, choreographer Patrice Bart reveals his interpretation of the ballet.

Massenet - Werther (2010)

Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.