Mario Ferrari's Filmography on TV

Io, io, io... e gli altri (1966)

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

Without Sin (1952)

Stefano and Maria have a marriage by proxy while he is working abroad in Canada. When she is mistakenly accused of abandoning her own child and sent to jail, Stefano finds out and decides to annul their marriage.

Chi e' senza peccato... (1952)

Northern Italian Stefano marries sweetheart Maria by proxy while working abroad in Canada. However, she is mistakenly accused of her sister's crime of abandoning her own child and, when Stefano finds out, he decides to call off their marriage.

Chi e' senza peccato (1952)

Stefano and Maria have a marriage by proxy while he is working abroad in Canada. When she is mistakenly accused of abandoning her own child and sent to jail, Stefano finds out and decides to annul their marriage.

Tormento (1950)

Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.

L' inferno degli amanti /il cavaliere.. (1947)

Luisa's dreams of love comes true in a hotel in the mountains.

Abuna messias (1939)

The film takes place at the end of the 19th century. The Cardinal Guglielmo Massaia has spent 20 years in Ethiopia to convert people to the Catholic Church. He comes back to Italy and he tries to get the help of the government of Piedmont. The Count Cavour, although he appreciates the Cardinal's deeds in Africa, cannot grant his Cabinet's support to the Cardinal's plans. The missionary man, trusting the Divine Providence, goes back to Africa by himself. The Cardinal, who is known among the peopl

1860 (1934)

The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.