Massimo Venturiello's Filmography on TV
List of programs starring Massimo Venturiello on tv. Programs are sorted in order of last seen on tv. Last updated: Nov 23, 2024 2:43 AM
Una notte che piove (1995)
This is a story full of feelings emotion, and generational conflicts... Two people meet again in the seaside town where they fell in love as adolescents 20 years earlier while spending their summer vacation there with their families. It could be a chance to rediscover each other and to lend continuity to a relationship that was interrupted, in his case at least, traumatically. But the disquieting presence of her 15 year old daughter insinuates itself between them. He transfers his feelings to th
Strana la vita (1987)
A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?
I miei primi 40 anni (1987)
Marina is a woman who never says no...to men, money and fame! Determined to climb the social ladder, she works her way up from a marriage of a millionaire prince. At last, she's living the life of wealth and glamour she's always dreamed of. Then Love comes along and ruins everything! A starving artist steals her heart and seduces her away to his bohemian world. Will Marina manage to stay happy living a lifestyle out of the fast lane?
Good morning Babilonia (1987)
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in Hollywood designing sets for D.W.Griffith and marry beautiful actresses, but tragedy strikes with the arrival of World War I, which finds the brothers fighting on opposite sides...
La famiglia (1987)
"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.