Kimiko Yo's Filmography on TV

Omotenashi (2018)

Cultures meet and values are learnt through the renovation of an inn.

Omotenashi (2018)

Cultures meet and values are learnt through the renovation of an inn.

Midnight Diner 2 (2016)

When people finish their day and hurry home, his day starts. His diner is open from midnight to seven in the morning. Pork, miso soup combo, beer, sake and shochu is all that he has on his menu. Nevertheless, he makes whatever his customers request as long as he has the ingredients for it.

寄生 (2014)

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human's, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn't see why.

守护星 (2011)

An abandoned car is discovered near a camping ground and inside it is the body of an identified middle-aged man and a dog who seems to have died months later. This is the story of the life of the lovi

Dear Doctor (2009)

Charming little story about a local town's doctor - but he is hiding a secret. He will have to come face to face with this truth, despite being great at his job... he will be forced to explain his actions and take responsibility.

The Ramen Girl (2008)

An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.

the ramen girl (2008)

An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.

Love Trap (1993)

The third entry in the unrelated series which began with Shiryo No Wana (1988), Toshiharu Ikeda's bloody horror film deals with a policewoman (Megumi Yokoyama) investigating the apparent suicide of a college coed. The prime suspects include the girl's professor, who may have been having an affair with her, and the professor's wife, who frequents lesbian bars. Gruesome axe murders and mutilations ensue, leading Yokoyama to a shocking discovery. Less grisly than its predecessors, this installment