Geoffrey Hibbert's Filmography on TV

Heavens Above! (1963)

A naive but caring prison chaplain, who happens to have the same last name as an upper class cleric, is by mistake appointed as vicar to a small and prosperous country town. His belief in charity and forgiveness sets him at odds with the conservative and narrow-minded locals, and he soon creates social ructions by appointing a black dustman as his churchwarden, taking in a gypsy family, and persuading the local landowner to provide free food for the church to distribute free to the people of the

Gaolbreak (1962)

An honest news agent realizes that his 2 sons are corrupt. When one criminal son is in jail, the other breaks him out to help with a job.

The Great Van Robbery (1959)

Interpol detective Caesar Smith tracks robbers of the Royal Mint van. He travels to Rio de Janeiro, Rome and Paris and establishes the guilt of a London coffee importer.

Albert R.N. (1953)

The British inmates of a POW camp think they have an informer among them after several escape attempts fail. One of the prisoners constructs a dummy which they christen "Albert" and use at roll call in order to foil the German guards.

Emergency Call (1952)

A 5-year-old child is diagnosed with leukaemia and has only days to live. Her only hope is a blood transfusion, but her blood type is extremely rare, so the race is on to find the donors.

The Shipbuilders (1943)

The Shipbuilders is a 1943 British drama film directed by John Baxter and starring Clive Brook, Morland Graham and Nell Ballantyne. The film is set in a Clyde shipyard in the build-up to the Second World War. It was based on a novel by George Blake.

In Which We Serve (1942)

The story of the HMS Torrin, from it's construction to its sinking in the Mediterranean during action in World War II. The ship's first and only commanding officer is Captain E.V. Kinross, who trains his men not only to be loyal to him and the country, but—most importantly—to themselves.

Love on the Dole (1941)

Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.