Dick Gordon's Filmography on TV

Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin Virgil, an apprentice veterinarian, into helping him. Of course, he doesn't tell Virgil what he is really up to. Mistaken identities are assumed, while along the way, Virgil meets a female vet and Herman falls for the owner of the horse.

A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.

When a 1920s millionaire tests the fiber of his Vermont family, a young lady and her boyfriend feel the repercussions.

A tabloid editor assigns a young reporter to solve a murder the editor committed himself.

Mobster Nick Scanlon has managed to buy several of the local government and law-enforcement officials. However, he can't seem to touch the incorruptible police captain Tom McQuigg, who refuses all attempts at bribery. Prosecuting attorney, Welch, and a police detective, Turck, are crooked and make McQuigg's job as an honest officer nearly impossible.

The Breaking Point is a 1950 American film noir crime drama directed by Michael Curtiz and the second film adaptation of the 1937 Ernest Hemingway novel To Have and Have Not. It stars John Garfield and Patricia Neal.

Christabel Caine has the face of angel and the heart of a swamp rat. She'll step on anyone to get what she wants, including her own family. A master of manipulation, she covertly breaks off the engagement of her trusting cousin, Donna, to her fabulously wealthy beau, Curtis Carey. Once married to Curtis herself, Christabel continues her affair with novelist Nick Bradley, who knows she's evil, but loves her anyway.

Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.

Bob Sharkey, an instructor of would-be spies for the Allied Office of Strategic Services, becomes suspicious of one of the latest batch of students, Bill O'Connell, who is too good at espionage. His boss, Charles Gibson confirms that O'Connell is really a top German agent, but tells Sharkey to pass him, as they intend to feed the mole false information about the impending D-Day invasion.

When an employee at an illegal gambling den dies suspiciously, her sister, Nancy, looks into the situation and falls for Johnny O'Clock, a suave partner in the underground casino. Selfish and non-committal by nature, Johnny slowly begins to return Nancy's affection and decides to run away with her, but conflict within his business threatens their plans. As Johnny tries to distance himself from the casino, his shady past comes back to haunt him.